Publications

Institution as Praxis: New Curatorial Directions for Collaborative Research

Unfinished Revolutions

César, F, Hering, T & Rito, C (eds) 2017, Luta Ca Caba Inda: Time Place Matter Voice, 1967-2017. Archive Books, Berlin.

Rito, C. (Ed.), Hamadeh, D., Gharavi, M. M., Slavs and Tatars Collective, Wong, B. H., Vazquez, R., Waller, T., Fortes, C., & Rainho, R. (2018). On Translations. The Contemporary Journal, 1. https://doi.org/10.31411/TCJ.01

Rito, C. (Author). (2022). “Not Propaganda”: A Curatorial Staging on the Aesthetic-Political Continuities Between the Liberation Struggles in Lusophone Africa and the Portuguese Revolution. Digital or Visual Media, PARSE (Platform for Artistic Research Sweden), Göteborgs universitet.

Institution as Praxis

Institution as Praxis: New Curatorial Directions for Collaborative Research

Rito, C. (2020). What Is the Curatorial Doing? In C. Rito, & B. Balaskas (Eds.), Institution as Praxis: New Curatorial Directions for Collaborative Research (pp. 44-61). Sternberg Press

Colonial Legacies and Museums – The Politics of the Exhibitionary

Rito, C., Faucquez, A.-C. (Ed.), Gosson, R. (Ed.), & Michael, A. (Ed.) (2023). The Discoveries Museum and the Contested Colonial Legacies in Contemporary Portugal. Manuscript submitted for publication. In Narrativizing Slavery in European Museums: Arts and Representations Liverpool University Press. 

Rito, C., & Goodwin, P. (2023). The Changing Same? British Black Artists and Visual Arts Organisations in the Midlands. (1 ed.) Coventry University. https://doi.org/10.18552/CAMC/2023/0001

Rito, C., & Vieira Jürgens, S. (Ed.) (2018). The Discoveries Museum and the Colonial Gaze in Contemporary Technologies of Display. Paper presented at Museum Reader Conference, Lisbon, Portugal. https://wrongwrong.net/artigo/the-discoveries-museum-and-the-colonial-gaze-in-contemporary-technologies-of-display

Parthenon sculptures in the British Museum, from “A topian artistic methodology”

Walker, K. (2022) “A topian artistic methodology“, Journal of Artistic Research 28 (30 Dec 2022).

Curatorial Research

Rito, C. (2023). The essayistic in the curatorial: Repurposing the politics of exhibition. In J. Delbecke (Ed.), From the scenic essay to the essay-exhibition: Expanding the essay form in the arts beyond literature and filme. (pp. 99-106). Ghent University.

Rito, C. (2021). Infrastructures of the Exhibitionary. In C. Gheorghe, & M. Wilson (Eds.), Exhibitionary Acts of Political Imagination (pp. 70-80). PARSE (Platform for Artistic Research Sweden), Göteborgs universitet.

Philosopher Federico Campagna leads a discussion in the Design Museum, London. From “The atemporal event”. Photo: Carl Bigmore.

Schmid, H. and Walker, K. (2020) “The atemporal event“, Journal of Artistic Research 25 (31 Dec 2021)

Walker, K. (2021) “Turtles all the way down: The Daata Art Fair“, NECSUS European Journal of Media Studies, Spring 2021.

Others

Axel, N., Balaskas, B., Hirsch, N., Lemos, S. and Rito, C. (2020) “Architectures of Education.” e-Flux Architecture (Mar 2020)